lisulfuros on tin, and these things). But that's OK, as far as it goes. Rather than having classes from 3 to 5 pm, of course XD.
You can tell spring is coming, and there are like millions of music releases that stress to anyone who would listen to all the albums and B sides from the singles that come out (as a server, for example). But I must stress that KAT-TUN has finally released their compilation album (well, not exactly, but suppose that it is Wednesday and I bought this album la la lala ~). Given that gathers all the singles so far heard the undeniable sound better than a hundred thousand bags of pus and complex in pre-hysteria that are fans of the shounen johnnys Japanese clubs, it does soprender its quality. Seriously, this Best of KAT-TUN is sugar cane. It seems incredible how well the songs sound in studio quality, and the little matter of times you have heard the concert ripped. It's like KAT-TUN rediscover. Well, let's break down a little:
1. SHE SAID ... Rating: 5 / 5
I liked this song at the time, when lives were on Music Station and who has nothing better to do. And it's interesting because in some way is a perfect paradigm of style KAT-TUN has guitars and tone cane, somewhat desperate tone that makes some of his songs are breathtaking, and a time for each is brilliant . As in mostra song from the "oh my god the world ends if you do not I have at hand" and that, but it is very catchy. The chorus alternates with a dry voice strong harmonic foundation, and a rhythmic musical base. The use of vocal arrangements to give effect to the computerized voice adds a very cybernetic. It sounds very good together. Jin comes out, as usual (I wonder you should have this boy in the vocal cords), and highlights the final, in which all subjects (chorus, rap and some harmony made by other members) to join the end, abrupt and conclusive.
3. I LIKE IT Rating: 5 / 5
Ohhhhhhh. Perhaps one of the most interesting songs in composition of the album, and definitely my favoriteby far. Start with a short introduction, in which someone (Koki? Whenever someone speaks assume it's him) says some unintelligible words in English (be together love you can not forget I'll cover you up with your bla bla hapiness Selfishness, your happiness, Everything is you ... I like it) and then the basic loop is added a pizzicato, which is repeated throughout the song with minor variations. It's amazing what can be achieved with simple instrumentation and percussion so repetitive. But the effect is stunning. The song flows without break for a theme played by the two leading voices of KAT-TUN (if you know who), but at the time of the chorus, the other members have a chance to shine with vocals that go tom
7. GOLD Rating: 5 / 5
much as I love the ballad version that have not included on this album, GOLD is one of the (my?) Great classics of KAT-TUN of all time. I do not know if the letter speaks of his own debut or anything else, or a little of everything at once ("All or nothing, now or never, we can make it happen We Can make it all right gift [...] 't you want to see it When We Make it all right "), although there is some phrase that I would highlight:" Yogoreta Shatsu sa ga kimi no Chizu ", which translates as" The dirty shirt is a map of you. " For some reason it sounds so cool in Castilian, but in any case sends a general feeling of the theme of the song. In any case, has it all. The implementation makesPrayer: 3.5 / 5
I'm not sure how to rate this song. Maybe I should put partial different notes for different songs. If you get pass the intro, the song really is not that bad. So, leaving aside the principle satanic vocals, and rap that seems made for a terrible mixture of fat rapper who sang with Koda Kumi Candy (Mr. Blistah or something) and something out of the orange range, the chorus does not sound so bad. Well, if that is the song of Koki and Nakamaru (again, I can not recognize voices too precisely), the lead is interesting, and well played. And if you spend the first minute is so cool, although there are several songs at a time. The final of I especially like that tore to be quite grim (is something like an EVP with fear echoes with background music) is another example of how much the Castilian is beginning to be fashionable in Japan. Yei yei.
12. RUSH OF LIGHT
Rating: 4 / 5
Again keep the tone of "garage band" that is seen in other of his songs, with some guitar riffs and insistent percussion. I did not know this song, but every time I hear it I like, but not stand out as anything special. It makes me feel like smiling for no apparent reason.
13. Haruka na Yakusoku
Rating: 5 / 5
If they made a kind of catchy ranking of KAT-TUN, this would likely be in the phe first place. It has everything, and it is remarkably happy (which is thrown something at fault in this album). It's flawless from start to finish, from the insistent melody and rhythm but leaves no room for boredom, passing the dressing in the form of raps and screams in charge of the baby of the group (jin \u0026lt;3), and although no notice too, has an orchestral base that gives the most classical and rhythmic counterpoint. Clearly those who stay in your mind for a long, long time.
14. PRECIOUS ONE
Rating: 2.5 / 5
Another ballad. I've never been a big fan of these slow ballads if not have something special, something that is not the case with this. Maybe sometime in my scores vary somewhat depressed. But en any case is a good topic for the conclusion of this great album.
